Show List

Caffe Vivace's Upcoming Shows

Adam O’Farrill’s ELEPHANT

Adam O’Farrill’s ELEPHANT

Fri, Sep 11

Adam O’Farrill - trumpet, electronics

Yvonne Rogers - piano

Walter Stinson - bass

Russell Holzman - drums


"Elegant, exploratory, and emotionally dynamic." —Qobuz


“Elephant is O’Farrill’s most engaging and impressive recording to date. The album pops and jabs, hops and slithers. It has all the moves. 9/10” – Will Layman, PopMatters


"This superb band stretch time into abstraction as easily as they can generate dance rhythms- sometimes doing both within the space of a few bars. In fact, their creative core revolves around such contrasts, less as a conceptual framework than simply because it sounds good." —Peter Margasak, The Wire


"There’s a directness to Elephant, an unabashed commitment to clarity, that I think will carry its message to a wider audience than O’Farrill has engaged thus far. If that sounds like qualified praise, let me be clear: I also consider it one of the most artistically compelling statements of his career." —Nate Chinen, The Gig


Acclaimed trumpeter and composer Adam O’Farrill introduces ELEPHANT, his first quartet as the sole horn voice, with a self-titled debut to be released March 20, 2026 via Out of Your Head Records on CD, LP, hi-res download, and streaming. Widely regarded as one of the most vital musicians of his generation, O’Farrill has been hailed by The New York Times as “among the leading trumpeters in jazz” and “perhaps the music’s next major improviser.” At just 31, he has earned deep respect across the jazz community for his staggering technique, emotional insight, and cultural breadth. His name on a record signifies integrity, surprise, and excellence—qualities reinforced by a remarkable run of recent projects. In 2025 alone, O’Farrill appeared on acclaimed recordings including Mary Halvorson’s About Ghosts, Hiromi’s Out There, Tarun Balani’s Kadahin Milandaasin, and his own OOYH octet release For These Streets. His résumé includes collaborations with Rudresh Mahanthappa, Vijay Iyer, Tyshawn Sorey, Anna Webber, Mulatu Astatke, Mali Obomsawin, Micah Thomas, and many others, placing him firmly among the most critically lauded artists shaping 21st-century improvised music.


Despite this visibility, O’Farrill waited deliberately before leading a quartet without a second horn, having built his reputation in bands defined by frontline interplay and collective chemistry. That changed through years of touring and recording experience—most notably as the lone horn in Hiromi’s quartet Sonicwonder—and through the discovery of collaborators who could support a broader, more expansive vision. ELEPHANT brings together three rising New York–based musicians: pianist Yvonne Rogers, bassist Walter Stinson, and drummer Russell Holzman. Rogers combines deep study with fearless spontaneity; Stinson balances consummate fundamentals with elastic, expressive musicianship; and Holzman—an old friend from LaGuardia High School—melds natural swing with high-precision, electronic-rooted rhythms and a finely tuned sense of dynamics. Together, the quartet achieves a controlled intensity that feels both muscular and intimate, equally grounded in jazz tradition and contemporary sound worlds.


Musically, ELEPHANT draws from a wide constellation of influences—post-bop, electronic music, classical minimalism, Radiohead, Jonny Greenwood’s film scores, Ryuichi Sakamoto, and more—absorbed organically rather than as overt crossover gestures. The album’s centerpiece, The Sea Triptych, reflects water’s comfort and mystery across three pieces, from the crashing textures of “Along the Malecon” to the ambient meditation “The Three of Us, Floating,” and the percussive, groove-driven “Iris Murdoch.” Elsewhere, “Herkimer Diamond” exemplifies O’Farrill’s pursuit of balance between density and clarity, while the quartet’s striking reinvention of Sakamoto’s “Bibo No Aozora” replaces strings with trumpet, delay, and electronic harmony without sacrificing the instrument’s essential voice. Throughout, ELEPHANT captures an artist fully inhabiting his moment—confident, curious, and unafraid to let contemporary influences reshape the language of modern jazz on his own terms.


If the total amount of beverages purchased by the party does not meet the minimum, a $20 drink/food minimum is charged per person in the party, per set.


Important Notices:


If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund.


Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. The transfer must be requested 24 hours before the start of the performance.

Tyreek McDole Quartet

Tyreek McDole Quartet

Sat, Sep 12

“Tyreek McDole is about to spring to global fame with his stunning voice.”

Jazzwise


“Indeed, McDole’s sound evokes shades of Nat King Cole, his baritone is warm, rounded, unforced, and touched by a quiet elegance. He can croon, yes, but never indulges in excess…At times, the vocal technique is so seamless it becomes invisible. What remains is a rare sense of intimacy and timelessness…In Tyreek McDole jazz finds not just a new star, but a new steward, one with an ear for the past, a voice for the present, and a vision for the century ahead.”

Paris Moves


Tyreek McDole – vocalist

Wilfie Williams– piano

Dan Finn – bass

Mekhi Boone – drums


Tyreek McDole, a 24-year-old Haitian-American vocalist from sunny Florida, shines brilliantly as his star rises in the bustling New York scene. With a string of prestigious awards to his name, Tyreek stands out as a bold new voice in jazz on his 2025 Artwork Records debut, Open Up Your Senses. This artistic statement pushes forward the heritage of jazz music with a strong and distinctive energy. His baritone voice and visionary approach firmly establish him as one of the most compelling jazz vocalists of his generation.


In November 2023, Tyreek won 1st place in the Sarah Vaughan International Jazz Vocal Competition. Noted as one of the most anticipated events in jazz, McDole's accolade now ranks him among the competition's previous winners including the standout artists Samara Joy (2019 winner) and Jazzmeia Horn (2013 winner). Tyreek is the 2nd male to ever win in the competition’s 12 year history.


It was during the acclaimed Jazz at Lincoln Center's 2018 Essentially Ellington National Competition that Tyreek made his vocal debut, winning the prestigious Outstanding Vocalist Award.


Tyreek has shared the stage with an impressive roster of musicians, including Theo Croker, NEA Jazz Master Gary Bartz, Miki Yamanaka, Mike King, Rodney Whitaker, Winard Harper, Marcus Printup, Eric Reed, Carl Allen, Victor Goines, and many others.


Tyreek received a degree in jazz performance from The Oberlin Conservatory of Music, Under the guidance of esteemed instructors LaTanya Hall, Gary Bartz, Gerald Cannon, Eddie Henderson, Billy Hart, Dan Wall, Sullivan Fortner, and Weedie Braimah.


With his roots firmly planted in the musical soil of the Caribbean, New York, Florida, and beyond, McDole now casts his spell on the bustling streets of New York City, leaving an indelible mark on the vibrant tapestry of worldwide music.


If the total amount of beverages purchased by the party does not meet the minimum, a $20 drink/food minimum is charged per person in the party, per set.


Important Notices:


If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund.


Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. The transfer must be requested 24 hours before the start of the performance.

LUCÍA

LUCÍA

Tue, Sep 15

Lucía - vocalist

Gabriel Chakarji - piano


LUCÍA is a 24-year-old vocalist from Veracruz, México whose singular artistic vision bridges the gaps between Jazz, Latin, and Pop music.


Gutierrez Rebolloso started her musical career at the age of two, singing and dancing in her parents’ son jarocho band, “Son de Madera.” She began studying voice at the age of 13 at Universidad Veracruzana, and in 2022 received a bachelor’s degree in Jazz Studies from this same university.


In 2022, she became the first artist from Mexico to enter the Sarah Vaughan International Jazz Vocal Competition, which she won. Lucía has already collaborated with several world-renown artists and musicians, including Natalia Lafourcade, Aloe Blacc, La Santa Cecilia, Quetzal, Son de Madera, Alex Mercado, and the National Jazz Orchestra of Mexico (ONJMX in Spanish). She has performed on stages around world: Carnegie Hall, Rose Hall at Jazz at Lincoln Center, the Royce Hall at UCLA, the ASU Gammage in Arizona, El Cantoral, the National Center for the Arts, and the Teatro de la Ciudad Esperanza Iris in Mexico City. She has also performed in renowned festivals like the Folk Festival in Vancouver and the International Cervantino Festival in Guanajuato, Mexico.


Most recently, Lucía has just released her first full album. Produced by Grammy-winner Matt Pierson, it presents Lucía’s interpretations of jazz standards (“What a Difference a Day Makes,” “You Must Believe in Spring,” etc.) classic Spanish songs (including “Silencio,” “La Llorona,” “Como Fue”) and current pop songs (by Taylor Swift and Olivia Rodrigo), featuring an extraordinary group of musicians including Edward Simon, David Sanchez, Larry Grenadier, and Antonio Sánchez.


If the total amount of beverages purchased by the party does not meet the minimum, a $20 drink/food minimum is charged per person in the party, per set.


Important Notices:


If you do not check in by 15 minutes into the start of the set, we reserve the right to resell your seats with no refund.


Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. The transfer must be requested 24 hours before the start of the performance.

Blue Wisp Big Band

Blue Wisp Big Band

Wed, Sep 16

Jeremy Long — alto saxophone Jamie Walkenhauer — alto saxophone Brent Gallaher — tenor saxophone Dan Drees — tenor saxophone Larry Dickson — baritone saxophone Jeff Owen — trombone Clarence Pawn — trombone Brian Stevens — trombone Gary Langhorst — bass trombone Jeff Folkens — trumpet Hank Mautner — trumpet John Zappa — trumpet Kim Pensyl — trumpet Steve Schmidt — piano Mike Sharfe — bass Jim Leslie — drums Cincinnati's legendary Blue Wisp Big Band celebrates its 46th year of swingin' Big Band music at Caffe Vivace. Founded in January 1980 by drummer John Von Ohlen and trumpeter Don Johnson, the Blue Wisp Big Band got its start in and its name from the late Blue Wisp Jazz Club. Von Ohlen, a native of Indianapolis, moved to the Cincinnati area after many years on the road playing with world-class jazz orchestras, most notably those of Stan Kenton and Woody Herman. After hearing all of the fine musicians in the area, he felt there was a need to form a group because most of them “weren’t playing any jazz, which is the reason they started playing in the first place.” He felt the desire to start a “world-class big band and wanted to put it in a tavern, a beer joint.” Don Johnson, who had been on the Cincinnati scene for years, suggested which instrumentalists should play in the band. Von Ohlen states, “Don was the horn connection.” Pianist Steve Schmidt and bassist Michael Sharfe were already playing with Von Ohlen at the Blue Wisp in the Steve Schmidt Trio, Wednesday through Saturday nights, so the rhythm section was easily formed. Von Ohlen remembers approaching Paul and Marjean Wisby, the original owners of the Blue Wisp, with the idea, “Wednesday is a slow night. Why don’t we bring in a big band and blow the roof off the place? It worked real good.”Since its inception, the Blue Wisp Big Band has been the top jazz orchestra in Cincinnati. The hard bop-oriented big band started recording in 1981: first, an LP sponsored by the Cincinnati television station WKRC, and then four for the Mopro label, founded by Fred and Helen Morr, in the 1980s. The Mopro LPs were reissued in the mid -’90s on two CDs on the California label Sea Breeze, with one of the sets recorded in Los Angeles during a West Coast tour in 1984. Through the devoted and hard work of Helen Morr, the LPs were distributed around the country and Europe, garnering notice, good reviews, and airplay around the world. Among the group’s more notable members were trumpeter Tim Hagans and bassist Lynn Seaton. The band continued to perform at the Blue Wisp Jazz Club in Cincinnati on Wednesday nights until its closure in the summer of 2014. After a six-month tenure at Japp’s Annex in downtown Cincinnati, a short stint at Pirate’s Den in Westwood, and three years at the Urban Artifact in Northside, the band has a new home at Caffè Vivace in Walnut Hills. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resell your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future Blue Wisp Big Band show of equal value will be accepted. The transfer must be requested 24 hours before the start of the performance.